IMSLP Forums

How about "Lists of Variations on Paganini's 24th Caprice"?

Actually Shotsakovich has up through Op. 6 I believe...

But that doesn't help in the composer's list. One still has to click each individual piece.

Mediawiki just isn't the best in such sorting options. After all, using catagories as the main hub per composer is already pretty clunky. I'd love to see some more orginization though -- for instance, if the 'original' score is available, or perhaps if 'orchestral' is (some composers like Johann Str...

From all I've been able to determine about this piece, Albeniz wrote it with the intention of orchestrating it (and possibly left sketches -- not sure) but never did. Georges Enescu did an orchestration, as did someone with the last name of Halffter (which is the version Alecia de Larocca played on ...

Since Rota died in 1979, it'd be in copyright all over the world. So no.

I doubt Finale could generate any sort of thing that isn't just "take staves w, x, y, and z and put them on a single grand staff". That was easy enough to do in Cakewalk 15 years ago.

It's possible there's a piano book. Of course it's fully in copyright.

Incidently I was thinking about this today (or now, as I just got a nice 6CD set of Struass family music). Not just Strauss Jr, but all that great light music of the mid-late 19th century. Strauss Sr/Josef/Eduard, Emille Waldteuful, Hans Christian Lumbye, Carl Zhierer, etc etc. There's plenty of pia...

I don't think the names were 'wrong' -- the orchestrations are in fact numbered that way.

Also a huge messy list at http://en.wikipedia.org/wiki/Wikipedia:Sound/list

There's probably no PD arrangement.

But it's already a piece for high voice and piano, it should be pretty easy to transcribe yourself.

Heh, it seems really hard to get 'light' music in full score. Outside of the Dover book of eight waltzes, I've seen very little Strauss Jr.
Alas...

That is also what bothers me about Mozart. The guy was obviously a genius, but his musical style only expresses that in a certain number of pieces; it seems to me he was afraid of putting too much of a strain on the listener. When you consider when he lived, and who he wrote for, then you'll realiz...

Sousa and other march scores have always seemed very elusive. I wonder if full scores were actually published, or just parts and 'conductors scores'.